The exact date of his death is unknown, but he is believed to have died about the year 670. Several years later he erected the Church of Our Lady of Sithiu, with a small monastery adjoining, which he turned over to the monks of Saint Bertin. About 654 he founded the Abbey of Saint Peter (now Saint Bertin's) in Sithiu, soon to equal if not surpass the old monastery of Luxeuil for the number of learned and zealous men educated there. When Saint Omer entered upon his episcopal duties the Abbot of Luxeuil sent to his assistance several monks, among whom are mentioned Saints Bertin, Mommolin, and Ebertran, and Saint Omer had the satisfaction of seeing the true religion firmly established in a short time. Though the Morini had received the Faith from Saints Fuscian and Victoricus, and later Antmund and Adelbert, nearly every vestige of Christianity had disappeared. When King Dagobert requested the appointment of a bishop important city of Terouenne, the capital of the ancient territory of the Morini in Belgic Gaul, he was appointed and consecrated in 637. Under the direction of Eustachius, Omer studied the Scriptures, in which he acquired remarkable proficiency. the death of his mother, he, with his father, the monastery of Luxeuil in the Diocese of Besançon probably about 615. Includes the Catholic Encyclopedia, Church Fathers, Summa, Bible and more all for only $19.99.īorn of a distinguished family towards the close of the sixth or the beginning of the seventh century, at Guldendal, Switzerland died c. Maria in Valle Porcaneta and S.Please help support the mission of New Advent and get the full contents of this website as an instant download. This workshop was responsible fo stucco ciboria and pulpits (at S. In a similar vein, work that can be associated with the workshop of Ruggero, Roberto and Nicodemo will be considered. Analysis of these works, especially from the perspective of recent discoveries, sheds light on the close relationship that existed between Abruzzi, Campania and Apulia in this period. It is similarly of interest to note the wooden doors at the Greek abbey at Grottaferrata, at Santa Maria in Cellis (Carsoli) and at San Pietro in Albe (Alba Fucens), all of which show evidence of an awareness of Muslim forms and of work from the opposite side of the Adriatic Sea in the first half of the 12th century. A scaled-down version of this survives in the church of Santa Maria in Valle Porclaneta (Rosciolo dei Marsi), which had belonged to Monte Cassino since 1064. The iconostasis, for example, consisted of a wooden beam that was splendidly carved and decorated with silver, gold and purple, but which did not survive the earthquake of 1349. Indeed, in his Chronicle Leo Marsicano proudly describes the various different materials and techniques which Desiderius used and where, in addition to marble and precious metals, wood seems to have played an important role. Romanesque Woodcarvers and Plasterers in the Abruzzi: The Mediterranean Connection In the twelfth century, wooden doors, iconostasis screens, altars, thrones and chests were carved and painted in Lazio, Campania and Abruzzi, following a tradition that had probably first developed in the previous century at Monte Cassino under Desiderius.
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